course modules
mobility training

Figure runs 

This is a very simple but very effective agility drill, and can be done anywhere, at any time by all age groups. 

The coach stands at the designated distance, ranging from 3m. (for very explosive and intense changes of direction), all the way through 50m.
(for a more gradual and less intense movement).

All of the players stand side by side facing the coach, on the coaches command say 8, each player sprints as fast as possible and runs the shape
of the number called (8), the coach is at the apex of the number.

1.  Sprint keeping your eyes on the coach at all times, so this means on the return to the starting position the player has to sprint backwards.

2.  Sprint backwards; looking over your shoulder at all times to see
where the coach is.

3.  Sprint forwards at all times.

4.  Sprint backwards at all times.

The coach should vary the distances, and maybe shout combinations of different numbers.

This is an excellent drill, and is only limited by your imagination.

It can be done with a ball, to improve the creativity of dribbling skills, as
well as the fantastic benefits it gives in the agility part of training.

All of the above examples of agility training can be “mixed and matched”,
for example.

1.  The coach stands at the starting position for the compound drill,
as each player approaches the starting position the coach shouts
a number to him (24) and the player has to sprint the shape of this number before he goes on to the compound agility drill.

2.  The coach is standing at any point on the over and under course,
and at random as a player approaches a hurdle, shouts a command
6, and the player has to run the shape of that number before he
does his “under/over” movement.

3.  The coach again is walking around the zig zag slalom course, and as
a player approaches the hoop, the coach shouts 55 and the player has to run the designated call before he continues onto the next hurdle.

As with the whole cross-section of the training, specific examples have been given, but more importantly, it is the philosophy of the exercise that is important.

All of the examples are not instead of what you do, but as an adjunct to what you do.

Combine movements, concepts, intensities, and duration, and a very rounded “soccer player” will be the product.

Do not think in straight lines.

A very famous Brazilian coach once said “a modern soccer player should
be like a jazz musician, forever evolving, experimenting, not like a classical musician who plays the written notes every time he plays.